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Superman was conceived as a Champion of the Oppressed that millions affected by the Great Depression were crying out for. Superman first appeared in Action Comics, June 1938, and he was the hero the Great Depression needed. In his first issue, he rescues a prisoner from a lynch mob (condemning capital punishment), takes on a wife beater (condemning domestic violence) and takes down a corrupt senator (speaking out against political corruption). Superman is often assumed to be an unambiguously benign character, particularly in contrast with the more psychologically complex Batman.īut Superman began his career as a crusader for social justice. Superman is the most high-profile and visible superhero to express their sexuality in this way. I call these characters “top-tier” because they are known to audiences not only from their comic appearances, but also film, television and cartoon adaptations. Only in recent years have “top-tier” characters like the X-Men’s Iceman, supervillain Loki, Harley Quinn and Poison Ivy, the Kate Kane Batwoman and, in August of this year, the Tim Drake Robin have also come out. How a Canadian superhero brought queer representation to Marvel Comics
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When the code was relaxed in the 1990s, characters who came out as queer were invariably third-tier superheroes (like Alpha Flight’s Northstar, caricatures (like the insultingly effeminate Extraño) or characters in “mature-age” titles (like John Constantine or the Doom Patrol’s non-binary Rebis). This left secondary characters, like X-Men villains Mystique and Destiny, to be heavily coded as queer – even if their sexual preferences could never actually be stated. His lobbying resulted in the creation of the Comics Code Authority, a censorship body that forbade any mention of homosexuality from 1954 until 1989. His book, Seduction of the Innocent, argued Batman and Robin’s relationship was inherently sexual, which therefore made comics inappropriate for children.Ĭomic books faced increased censorship after 1954, over concerns on what was appropriate for children. German-American psychiatrist Fredric Wertham believed comics were a corrupting influence.
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This may not be surprising: they are a genre composed of essentially-nude-figures-in-action, with same-sex sidekicks and sapphic suggestiveness. Queer representation has always been read into superhero comics. Issue #5 of Superman: Son of Kal-El (authored by Melbourne-based writer Tom Taylor) will be out this November, and will feature Jon sharing a kiss with friend and online journalist Jay Nakamura.Īpart from proving Superman has always had a thing for reporters, Jon expressing his sexuality is a watershed moment in the venerable franchise. But rather his son, Jonathan Kent, named after Clark’s adoptive father and current bearer of the Superman moniker.
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This Superman is fighting for things that concern me’,” he added.Not the movie-starring, Lois Lane-loving, Klan-fighting, Muhammad Ali-boxing, returned-from-the-dead, mild-mannered man of steel Clark Kent (aka Kal-El, last son of Krypton). “We try to bring those people with us, but we are writing for the people who will hopefully see this Superman… and say ‘This Superman is like me. “People who don’t realise that the X-Men were an analogy for the civil rights movement.” “You’ll always have people who’ll use the old line of ‘don’t put politics into comics’ – forgetting that every single story ever has been political in some way,” he said. “We have people saying they read this news today and burst into tears – people saying they never thought in their life that they would be able to see themselves in Superman… literally the most powerful superhero in comics,” recalled Mr Taylor. He said that, despite backlash from “trolls” on social media, the reaction to the storyline has been overwhelmingly positive. “There’s been a real shift over the last few years – ten years ago, five years ago this would have been more difficult, but I think things have shifted in a really welcome way,” said Mr Taylor. To his surprise, before he could pitch the idea of Jon being bisexual, he was told that DC Comics was already mulling the idea. “It struck me that it would be a real missed opportunity if we replaced Clark Kent with another straight white saviour,” said Mr Taylor.
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Series writer Tom Taylor told the BBC that, when he was first offered the job, he pondered “what Superman should be today.”
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Details of the plot have yet to be revealed, but images shared by DC Comics show Jon and Jay sharing a kiss.